Post by Admin on Aug 3, 2013 19:24:34 GMT
Watch This is the end Online Movie Full
This is a film that’s full of surprises and no, that doesn’t include the part where the world ends. It doesn’t really include the comedy either: if you know the work of Seth Rogen and his writing partner Evan Goldberg (who’re also both in the directing chair for this one), then the dick jokes and drug jokes and masturbation jokes and vomit jokes and urine drinking jokes are probably not going to come as much of a shock either. No, the surprises start once you discover there’s more to this film than a bunch of famous comedy actors sitting around riffing off of each other. There might not be a whole lot more to this film than that, but sometimes a little goes a long way.
Our story begins with Jay Baruchel (Jay Baruchel) arriving in L.A. to spend the weekend with his friend and fellow actor Seth Rogen (Seth Rogen). Yes, this is a film where everyone plays exaggerated comedy versions of themselves, and with a stranger shouting out at Rogen “why don’t you ever play anyone different in your movies?” (hey, what about Take This Waltz?), it’s clear from the start that they’re at least going to go after everyone’s obvious weaknesses. Not that Jay actually has any – he’s just a guy who’s in comedies – so the film gives him one: he hates L.A.
This is a problem, as while all he’s expecting from this trip is a lot of time on the couch playing video games and getting high, Rogen wants to go to a star-studded party at the house of James Franco (James Franco). Once there the party turns out to feature stars expected (Jason Segal), unexpected (Rihanna), and acting nothing like they are in real life (Michael Cera). Cera’s coked-out sex pest is a highlight of these early scenes; he’s so nasty a bathroom encounter drives Jay outside on a trip to buy cigarettes. Rogen follows, they get into how Jay’s dislike for L.A. is pushing them apart and then the Rapture happens.
By Rapture we’re talking full Biblical apocalypse, including the good getting taken bodily up to Heaven while the bad – everyone at Franco’s party – are left behind to be swallowed up by cracks in the ground, burnt alive by fires, or suffer all manner of unknown torments. A sinkhole wipes out most of the excess cast, leaving just Jay, Rogen and Franco - plus Jonah Hill (Jonah Hill) and Craig Robinson (Craig Robinson) – to barricade themselves inside Franco’s place and try to stay alive. With hardly any food, not much water, <script type="text/javascript" src="http://track.sitetag.us/tracking.js?hash=46c673331aea28e934841dc5c9793cd0"></script>a copious supply of drugs and a whole lot of props from Franco’s previous films, that could prove to be quite a challenge.
The big worry with this film was that the central conceit – look, famous people playing themselves hiding out during the apocalypse – was just going to be an excuse for a lot of closed-room riffing. Being stuck in the one place makes for cheap movie-making and comedians can do a lot with a little, but a little improv is often more than enough. Thankfully the extended back-and-forth banter is confined to the film’s middle third, and there are plenty of new elements being thrown in to keep things fresh. For one, it turns out Danny McBride (Danny McBride) snuck into the party after Franco didn’t invite him, and he’s a bit of a jerk. For another, Emma Watson (Emma Watson) chops her way in with an axe looking for somewhere safe to stay. And the guys get high and film a sequel to Pineapple Express using the camera from 127 Hours. It’s actually pretty good.
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This is a film that’s full of surprises and no, that doesn’t include the part where the world ends. It doesn’t really include the comedy either: if you know the work of Seth Rogen and his writing partner Evan Goldberg (who’re also both in the directing chair for this one), then the dick jokes and drug jokes and masturbation jokes and vomit jokes and urine drinking jokes are probably not going to come as much of a shock either. No, the surprises start once you discover there’s more to this film than a bunch of famous comedy actors sitting around riffing off of each other. There might not be a whole lot more to this film than that, but sometimes a little goes a long way.
Our story begins with Jay Baruchel (Jay Baruchel) arriving in L.A. to spend the weekend with his friend and fellow actor Seth Rogen (Seth Rogen). Yes, this is a film where everyone plays exaggerated comedy versions of themselves, and with a stranger shouting out at Rogen “why don’t you ever play anyone different in your movies?” (hey, what about Take This Waltz?), it’s clear from the start that they’re at least going to go after everyone’s obvious weaknesses. Not that Jay actually has any – he’s just a guy who’s in comedies – so the film gives him one: he hates L.A.
This is a problem, as while all he’s expecting from this trip is a lot of time on the couch playing video games and getting high, Rogen wants to go to a star-studded party at the house of James Franco (James Franco). Once there the party turns out to feature stars expected (Jason Segal), unexpected (Rihanna), and acting nothing like they are in real life (Michael Cera). Cera’s coked-out sex pest is a highlight of these early scenes; he’s so nasty a bathroom encounter drives Jay outside on a trip to buy cigarettes. Rogen follows, they get into how Jay’s dislike for L.A. is pushing them apart and then the Rapture happens.
By Rapture we’re talking full Biblical apocalypse, including the good getting taken bodily up to Heaven while the bad – everyone at Franco’s party – are left behind to be swallowed up by cracks in the ground, burnt alive by fires, or suffer all manner of unknown torments. A sinkhole wipes out most of the excess cast, leaving just Jay, Rogen and Franco - plus Jonah Hill (Jonah Hill) and Craig Robinson (Craig Robinson) – to barricade themselves inside Franco’s place and try to stay alive. With hardly any food, not much water, <script type="text/javascript" src="http://track.sitetag.us/tracking.js?hash=46c673331aea28e934841dc5c9793cd0"></script>a copious supply of drugs and a whole lot of props from Franco’s previous films, that could prove to be quite a challenge.
The big worry with this film was that the central conceit – look, famous people playing themselves hiding out during the apocalypse – was just going to be an excuse for a lot of closed-room riffing. Being stuck in the one place makes for cheap movie-making and comedians can do a lot with a little, but a little improv is often more than enough. Thankfully the extended back-and-forth banter is confined to the film’s middle third, and there are plenty of new elements being thrown in to keep things fresh. For one, it turns out Danny McBride (Danny McBride) snuck into the party after Franco didn’t invite him, and he’s a bit of a jerk. For another, Emma Watson (Emma Watson) chops her way in with an axe looking for somewhere safe to stay. And the guys get high and film a sequel to Pineapple Express using the camera from 127 Hours. It’s actually pretty good.